18th Century Women’s Riding Habits
Last updated: Dec 13, 2024
Cally Blackman, in Walking Amazons, notes that, by the mid-18th century, the riding habit “had become an essential part of the wardrobe of fashionable middle and upper class women – a position which it retained for many decades. Its development ran in tandem with that of the male suit and, whilst details of cut and trimming changed with fashion, it always retained its basic format of habit jacket, skirt and optional waistcoat. As well as for riding or following the hunt, it was particularly worn for travelling and increasingly as informal day wear; for walking, visiting and at home as an alternative to, for example, a nightgown, in which to spend the day until required to dress more formally … Enthusiastically adopted by many women, it offered a degree of comfort and warmt that was not possible to achieve with other items of fashionable dress.”
The use of the riding habit in non-equestrian contexts is further illustrated in portraits and other artwork linked below, as well as in an essay from The Lady’s Magazine (1789):
Of the riding-habits lately become ſo common with thoſe who never ride, I ſhall only obſerve, that however befitting it may be to ladies in the character of Diana, it is ſtill a maſculine garb, and in our eyes does not add thoſe graces to the female appearance which have been by ſome ſuppoſed peculiar to it. When firſt introduced into this country, it was worn only by ladies when intending to go on horſeback, and has many conveniences for that exerciſe. To put it on, therefore, when one pays a viſit, or goes to church, is ſuch a deviation from the original deſign, that I hope the ladies will take the matter into ſerious conſideration.
Similar complaints are taken up in The Gentleman’s Magazine (1731):
Condemns the Lady’s Hermophroditical Riding Habit … As to the Ladys Riding Habit, the Waſtecoat and Petticoat are convenient and becoming, that is, the Feminine Waſtecoat, not the Maſculine. Thaleſtris, in her Riding Habit, his hardly known from a very pretty Fellow. Saw her lately at a Gaming Table, with her Hair, in a Soldierly Manner, turned under her cockaded Hat, her Jacket reſembled a Man’s Coat, and ſhe fequently ſat Bare-headed. The Ladies muſt have odd Opinions of the Men, to think they can be moſt agreeable when they moſt reſemble the Male Sex. How would they like a young Fellow making Love to them in a Suit of Pinners, a Pair of Stays, and a Mantua? The Reaſon of Diſguſt holds good on both Sides.
Aprehends that the Maſculine Habits the Ladies affect, will give them a bold and Maſculine Behaviour. Being lately on the Road, he expected a real pretty Fellow would have been thrown off his Horſe, by one of theſe Amazons, who ſeem’d reſolved to have the Way: But Miſchief was prevented by caſting his Eye on the Petticoat.
His Friend Truelove, who was juſt on the Point of Marriage, is grown cool on the Matter, on his Miſtreſs’s aſſuming one of theſe Habits. He thinks, that when a Woman has got all but the Breeches, ſhe will ſtruggle hard for them too.
- Met 2011.72, riding jacket in silk and wool, probably French, early 18th century
- John Bright Collection, riding jacket in worsted wool, trimmed with brocaded silk and silk satin, 1740s
- Met 1970.161.6, a silk riding bodice, c. 1750
- V&A T.197-1984, a brown worsted jacket lined with linen and silk, England, 1750s
- V&A T.554-1993, a brown wool jacket with metal braid, England, 1750s
- V&A T.12-1957, a blue camlet jacket lined with silk, England, 1750s
- Met 1976.147.1, a brown riding coat in silk and goat hair, Britain, c. 1760
- V&A T.198-1984, beige worsted riding coat in twill weave, lined with white linen, faced with pale blue silk, trimmed with pale blue satin, England, c. 1760
- V&A T.57-2009, a riding habit jacket in lightweight fustian, Great Britain, c. 1760-1770
- V&A 269 to B-1890, a riding habit in red wool with silver braid, c. 1770-1775
- Met 1981.14.2, a riding waistcoat in silk and linen, Britain, c. 1775
- Met 1976.147.2, a blue riding coat in silk and goat hair, Britain, c. 1775
- National Trust 1348742, a brocaded silk jacket made for riding or travelling, c. 1775-1800
- A Lady in full Dreſs, and another in a Riding Habit, 1780
- LACMA M.82.16.2a-c, riding habit in watered silk faille, Venice, c. 1780
- Portrait of a lady in military costume by John Berridge, 1781
- Rijksmuseum BK-1978-250, a redingote in embroidered silk satin, c. 1785
- V&A T.190-1961, red wool waistcoat lined and backed with linen, England, 1790-1795
- V&A T.670-1913, riding habit jacket, 1790s
V&A T.670B-1913, a silk embroidered waistcoat, Great Britain, 1790s
Portraits of women in riding habits
- Marie-Adélaïde of Savoy, Duchess of Burgundy by Pierre Gobert, 1704
- Equestrian portrait of Marie-Louise-Elisabeth d'Orléans (The Duchess of Berry in hunting-costume in 1710)
- Elisabeth Christine of Braunschweig-Wolfenbüttel
- Henrietta Cavendish, Lady Huntingtower by Sir Godfrey Kneller, 1715
- Lucy Pelham-Holles, Countess of Lincoln, by Sir Godfrey Kneller, 1722
- Anne, Princess of Orange
- Louise Anne de Bourbon, Mademoiselle de Charolais
- Picnic After the Hunt by Nicolas Lancret, c. 1735-1740
- The Hunt Breakfast by Carle Vanloo, c. 1737
- Halte de chasse by Carle Vanloo, 1737
- Madame Gaspard de Péleran by Jean-Etienne Liotard, 1738
- The Trevelyan Conversation Piece: Sir John Trevelyan, 4th Bt, with his wife Louisa Simond, Lady Trevelyan, his son Sir John Trevelyan, 5th Bt, and his daughter Helena Trevelyan, c. 1740
- The Brockman family at Beachborough by Edward Haytley, c. 1744-1746
- Preparing for the Hunt by John Wootton, c. 1745
- Sophie Marie Gräfin Voss by Antoine Pesne, 1746
- Lady Mary Churchill at the Death of the Hare by John Wootton, 1748
- A lady in a riding habit by Enoch Seeman
- Portrait of a lady in a blue coat and skirt and white waistcoat with gold embroidered trim by R. Harvie, c. 1751-1763
- Lady in a riding dress
- A Lady and a Gentleman Riding Out by James Seymour
- Princess Anna Amalia of Prussia
- Lady Elizabeth Harcourt by Paul Sandby, c. 1759-1760
- Posthumous portrait of Louise Elisabeth de France, daughter of Louis XV, by Jean-Marc Nattier, 1760
- The Countess of Coningsby in the Costume of the Charlton Hunt by George Stubbs, c. 1760
- Figure of a lady rider modelled by Johann Göz, c. 1760
- The Pleasure of Life, c. 1760s-1780s
- The Garden at Hampton House, with Mr. and Mrs. David Garrick Taking Tea by Johann Joseph Zoffany, 1763
- Mrs. Epes Sargent II (Catherine Osborne) by John Singleton Copley, 1764
- October, 1767
- Mary, Duchess of Richmond by Joshua Reynolds, 1767
- The Drummond Family by Johann Joseph Zoffany, c. 1769
- The ascent to the Round Tower by Paul Sandby, c. 1770
- A figure on the trade card of Benjamin Fell, tailor, who “Makes all Sorts of Riding Dreſses for Ladies, after the Neateſt Manner”
- Mr. and Mrs. Thomas Coltman by Joseph Wright, c. 1770-1772
- Reynard’s Last Shift, 1770s
- Miss Isherwoods, the Brewer’s daughters, Windsor by Paul Sandby, c. 1770-1780
- Marie Antoinette, 1771
- Elizabeth Bridgman, sister of the artist by Henry Walton, c. 1771-1775
- Jane, Duchess of Gordon, in green riding dress by Daniel Gardner, c. 1775
- Lady Worsley by Sir Joshua Reynolds, 1776
- La Recontreau bois de Boulogne by Moreau le Jeune
- John and Sophia Musters riding at Colwick Hall by George Stubbs, 1777
- The Female Fox Hunter, 1778
- Frances Montresor by John Singleton Copley, 1778
- Nancy Fortesque by Thomas Hudson
- Coxheath ho! by James Bretherton, 1779
- Jeune Dame montant à cheval; elle est habillée en homme avec un fraque à bavaroise, et une juppe, 1779
- The Sharp Family by Johann Joseph Zoffany, 1779-1781
- A Soft Tumble after a Hard Ride, c. 1780
- The Wedgwood Family by George Stubbs, 1780
- A Trip to Blackheath, c. 1780
- Portrait of a woman in a riding habit and broad-brimmed hat
- The military Beauties, or the adventures of a Camp
- The Twelve Months: June and October, c. 1781
- The sudden explosion in fording the brook after John Collet, 1781
- Lady Gorget raising Recruits for Cox-Heath, 1781
- Warley ho! by Henry William Bunbury, 1782
- Marcia Pitt and her brother George Pitt, later second Baron Rivers, riding in the park at Stratfield Saye House, Hampshire by Thomas Gooch, 1782
- October by Robert Dighton, 1784?
- Galerie des Modes, 56e Cahier, 1ere Figure, “Vest retroußée à l’Amazone,” October 11, 1784
- Galerie des Modes, 56e Cahier, 2e Figure, “Redingote with striped Sleeves and revers, buttoned in front,” 1787
- A lady on horseback by Jose Campeche, 1785
- June and October by Robert Dighton the elder, c. 1785
- Galerie des Modes, 51e Cahier, 4e Figure, “The young and amiable Cephise dressed en Amazone and coiffed with a hat trimmed with aigrettes and panaches,” 1786
- Cabinet des Modes, 19e Cahiere, 1ere Figure, “it represents a Woman dressed in a man's redingote, with three large collars falling on her shoulders,” August 15, 1786
- Cabinet des Modes, 21e Cahier, 1ere Figure, “The Lady represented in the Ist PLATE is ready to ride …” September 15, 1786
- Cabinet des Modes, 24e Cahier, 2e Figure, “The redigote, with two collars and sleeves à la Marinière, is of water green cloth, spotted with a darker green …” November 1, 1786
- Tally Ho, c. 1786-1790
- The Countess of Effingham with gun and shooting dogs by George Haugh, 1787
- Portrait of a nobleman and his wife (possibly the Duke and Duchess of Marlborough) attributed to William Austin, c. 1787
- Galerie des Modes, 53e Cahier, 2e Figure, “Young woman preserving herself from bad air: she is dressed in a redingote à l’Anglaise,” 1787
- Galerie des Modes, 54e Cahier, 1e Figure, “Redingote of white taffeta relieved à la militaire with a simple collar …” 1787
- Galerie des Modes, 56e Cahier, 3e Figure, “Morning reedingote surmounted by a wide collar,” 1787
- Galerie des Modes, 56e Cahier, 4e Figure, “Redingote closed in the front to the bottom with buttons of brilliants,” 1787
- Galerie des Modes, 56e Cahier, 6e Figure, “Young Lady in a Camlet Redingote: pink Taffeta Petticoat,” 1787
- Veste retroussée à l'Amazone, Revers tigrés en fourures, Chapeau à la Jokei orné de guirlandes et aigretes folettes, 1787
- A Scene in Kensington Gardens, 1787
- Marie Antoinette by Adolf Ulrik Wertmuller, 1788
- Galerie des Modes, 61e Cahier, 3e Figure, “Young Lady in a Winter Redingote,” February 20, 1788
- Galerie des Modes, 61e Cahier, 6e Figure, “Redingote à l'Amazone,” April 20, 1788
- The Squire’s Door by George Morland, c. 1790
- Mrs. William Moseley with her son Charles by Ralph Earl, 1791
- Laetitia, Lady Lade by George Stubbs, 1793
- Mrs. Stevens by Francis Wheatley, c. 1795
- Of Ladies Habits in The Taylor’s Complete Guide, 1796
- Riding habits in 1799
- Miss Beloe attributed to John Dowman