18th Century Parasols
Last updated: March 7, 2025
The Annals of Philadelphia provides a description of the use of parasols and umbrellas in the 18th century:
In Mrs. Shoemaker’s time, above named [having died in 1825 at the age of 95], they had no knowledge of umbrellas to keep off rain, but she had seen some few use quitasols — an article as small as present parasols. They were netirely to keep off rain from ladies. They were of oiled muslin, and were of various colours, from India by way of England. They must, however, have been but rare, as they never appear in any advertisements. Their name is derived from the Spanish.
Doctor Chanceller and the Rev. Mr. Duché were the first persons in Philadelphia who were ever seen to wear umbrellas to keep off the rain. They were of oiled linen, very coarse and clumsy, with ratan sticks. Before their time, some doctors and ministers used an oiled linen cape hooked round their shoulders, looking not unlike the big coat-capes now in use, and the ncalled a roquelaue. It was only used for severe storms.
About the year 1771, the first efforts were made in Philadelphia to introduce the use of umbrellas in summer as a defence from the sun. They were then scouted in the public Gazettes as a ridiculous effeminacy. On the other hand, the physicians recommended them to keep off vertigoes, epilepsies, sore eyes, fevers, &c. Finally, as the doctors were their chief patrons, Doctor Chanceller and Doctor Morgan, with the Rev. Parson Duché, were the first persons who had the hardihood to be so singular as to wear umbrellas in sunshine. Mr. Bingham, when he returned from the West Indies, where he had amassed a great fortune in the Revolution, appeared abroad in the streets attended by a mulatto boy bearing his umbrella. But his example did not take, and he desisted from its use.
Extant parasols and umbrellas from the 18th century
- Met C.I.56.8, France, c. 1675-1725
- Met C.I.55.43.37, Italy, early 18th century
- London Museum 2012.51/1, parasol cover made of “ivory silk moiré embroidered with silver thread in leaf, flower and steam motif with a stylised scallop edge,” c. 1710-1750
- MFA 50.3131, America; “Green damask with large-scale floral design; cut scalloped edge; faded on top; straight black wooden handle with knob at end; ivory knob on top; said to have been made from Hannah Emerson’s wedding dress, about 1720.”
- MFA 50.3204, green cotton parasol with “straight wooden handle with round knob at end; metal tip,” America, late 18th century
- Rijksmuseum BK-1967-92, an umbrella, c. 1770-1780
- An elegant parasol of yellow silk with a woven blue border, c. 1785
- Met 2009.300.2581, America, c. 1790; “Of particular interest are the whalebone rather than metal ribs and the hand-made bone or ivory ribs which vary in shape.”
- A parasol of silk taffeta with an ivory handle, end of the 18th century
- Augusta 8.4836.187.157, blue umbrella & case, c. 1790-1810; “Umbrella with dark blue-green cotton cover, striped with beige around edges, ivory or bone points, metal framing, baleen canopy ribs, tortoise colored crooked handle, possibly horn, brass cylindrical slide and tip, stenciled green and tan cotton drawstring case”
- MFA 99.664.99, possibly made in England, used in Lexington, Massachusetts, late 18th or early 19th century; “Green silk umbrella, brass ferule with ring, ten whale bone ribs with brass tips, wooden stick with turned handle, ‘AR’ carved in handle.
- Met 46.29a–c, Italy, 18th or 19th century
Depictions of parasols
- The Return from the Hunt by Joseph Parrocel, c. 1700
- Fille de qualité, c. 1700
- Vertumnus and Pomona by Jean Ranc, 1710s
- Marie Leszczynska, Queen of France by Alexis Simon Belle, c. 1730
- Dolo on the Brenta by Canaletto, c. 1730-1735
- Brother Philippe’s Geese by Nicolas Lancret, c. 1736 (see also Les oyes de frère Philippe)
- Jan Pranger and an enslaved servant by Frans van der Mijn, 1742
- Portrait of a young woman (Frau von Buttlar?), c. 1746-1755
- Young woman with a parasol by Johann Gottlieb Glume, 1749
- Elisabeth Dorothea Juliane Freifrau von Buddenbrock by Antoine Pesne, c. 1750
- The Musical Contest by Jean-Honoré Fragonard, c. 1754-1755
- Wilton House from the Southeast by Richard Wilson, c. 1758-1760
- A Street Show in Paris by Gabriel-Jacques de Saint-Aubin, 1760
- A Whole Length of a Lady of Neturrio, a Sea-port in the Pope’s Territories by George James, 1762
- Drawing of a lady with an umbrella by François Boucher
- Mary Toppan by John Singleton Copley, 1763
- The customer of a shoe seller in the Cries of Danzig, c. 1765
- Paul Sandby sketching by William Parry
- The game of checkers by Michel Barthélemy Ollivier, c. 1765-1770
- Englishman at Paris, 1767
- Portrait of the wife and son of the artist by Johann Heinrich Wilhelm Tischbein, c. 1770-1780
- A French Woman coming from Market, 1771
- Mon.r Le Medecin, 1771
- Cris of Paris: Parapluie là, 1774-1775
- La Fête à Saint-Cloud by Jean-Honoré Fragonard, 1775-1780
- El Quitasol by Francisco de Goya, 1777
- Les delices de la maternité by Moreau le Jeune, 1777
- Rendez-vous pour Marly by Moreau le Jeune
- This is Something New, 1777
- Galerie des Modes, 13e Cahier, 2e Figure: Robe à la Versailloise de Gros de Naples, 1778 (also here)
- Jolie Femme en deshabillé galant, 1778
- Misss. Dumplin Ducktail and Tittup return’d from watering, 1778
- Polonaise de toile bleue et blanche vermicelée, 1779
- Negroes Dance on the Island of Domenica, 1779
- La promenade au Bois de Vincennes
- Gesellschaft im Tiergarten by Daniel Chodowiecki, 1780
- Linen Market, Dominica by Agostino Brunias, c. 1780
- Fashionable men and women by Johann August Rossmäßler, c. 1780
- The Opening of the Carnival at Rome by Paul Sandby, c. 1781
- A lady and her children relieving a cottager by William Redmore Bigg, 1781
- Beauty in search of knowledge, 1782
- A Meeting of Umbrellas by James Gillray, 1782
- Portrait of the wife and son of the artist by Johann Heinrich Wilhelm Tischbein, c. 1783
- Le mercure de France, 1784
- April and July by Robert Dighton, c. 1785
- A View of the Parade at Bath, c. 1785
- Maria Elisabeth van Swijndregt by Rienk Jelgerhuis, 1785
- Gallant Conversation by Niclas Lafrensen, mid-1780s
- Rowlandson and Wigstead travelling in France by Thomas Rowlandson, c. 1785-1789
- The Rev. and Mrs. Thomas Gisborne, of Yoxhall Lodge, Leicestershire by Joseph WRight of Derby, 1786
- Cabinet des Modes ou les Modes Nouvelles, March 1, 1786
- A bouquet seller, 1786
- The Masculine Gender, 1787
- La visite rendue (The Visit Returned) by Louis-Léopold Boilly, 1789
- Joseph Nollekens and Mrs. Nollekins by John Thomas Smith
- Woman seated on the ground, holding a closed parasol by Johann Christian Klengel, 1790s
- A couple under a parasol in a garden by Jean-Baptiste Mallet, c. 1791-1793
- Bethnal Green. Hie away Juno!, 1792
- Alida Henrica Sophia de Meester by Rienk Jelgerhuis, 1792
- A couple embracing under a parasol while a girl sketches in the garden by Jean-Baptiste Mallet, c. 1791-1793
- Fashion engraving from 1793, Journal des Luxus und der Moden
- Morning dresses, September 1794, from the Gallery of Fashion
- Sir Thomas Bond Bart
- Major General Alexander MacKay, 1796
- Couple with Parasol on the Paseo by Francisco de Goya, 1796-1797
- The Liliputan Satirists by Isaac Cruikshank, 1797
- A Visit to the Boarding School by Isaac Cruikshank, 1797
- A Maiden Ewe, Drest Lamb Fashion by Isaac Cruikshank, 1797
- July by Robert Dighton
- Covent Garden Market by Thomas Rowlandson, c. 1795-1810
- Pride and exaltation in a sedan chair by Isaac Cruikshank, 1797
- Ann Denny, Mrs Thrower Buckle by Charles Catton the Elder
- Eccentricities, Monstrosities, or Bell’s and Beau’s of 1799
- The Miseries of the Country by Thomas Rowlandson
- Feeding the Ducklings by Thomas Rowlandson
- Captain Barclay's Rally Match - The Finish by Thomas Rowlandson
- Scene outside the Half-Moon Inn by Thomas Rowlandson
- The Picnic Party, or View on Oxmoor by Thomas Rowlandson
- Study for dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers on 1st August 1799 by William Alexander
- A large market-umbrella used by La marchande de beignets