18th Century Men’s Great Coats
Last updated: Jan 01, 2025
Most illustrations of 18th century great coats show them being worn by night watchmen (often carrying lanterns and/or clubs), but inventories (such as probate inventories from Deerfield, Massachusetts or runaway ads from Rhode Island and Pennsylvania) indicate that other men owned great coats as well.
Extant Examples
- A man’s greatcoat, c. 1780-1800, in Fitting & Proper: “taupe wool tightly woven and fulled, half lined with olive green wool shag and off-white linen”
- Colonial Williamsburg 2001-835, man’s great coat, America or England, c. 1780-1820
- Colonial Williamsburg 2023-19, green double breasted broadcloth coat lined in a buff worsted wool, Poland, c. 1790
- National Trust 1350636, great coat made of interwoven blue and cream tabby wool, c. 1793-1794
- William Cowper’s great coat
Greatcoats in Portraits and Illustrations
- Honest Will Crouch, c. 1725-1726
- Portrait of Captain Thomas Coram by William Hogarth, 1740
- Paul Sandby figure sketches made in Edinburgh and the neighborhood after 1745: man seated on the ground, man walking, man with a staff
- Figure study: a blind man in a tattered greatcoat by Paul Sandby, c. 1746-1751
- A man asleep by Paul Sandby, c. 1750-1760
- Voules, William, Duke of Cumberland’s bailiff by Paul Sandby, c. 1752-1765
- An Election II: Canvassing for Votes by William Hogarth, 1754-55
- A man standing, looking upwards by Paul Sandby, c. 1755-1765
- Man asleep in a long blue coat by Louis Philippe Boitard
- Bagpiper with a dancing dog by Paul Sandby, c. 1759
- Cries of London: All Fire and No Smoke by Paul Sandby, c. 1759
- Man standing in a landscape by Paul Sandby
- Old man carrying a basket by Paul Sandby
- Three men at a table by Étienne Jeaurat, 1763
- Parsons, Bransby, and Watkyns in a Scene From 'Lethe' by Johann Zoffany, 1766
- A Common Council Beaſt, returning from a Turtle Feaſt, c. 1766-1799
- A scene in Love in a Village by Johan Joseph Zoffany, 1767; see versions at the Detroit Institute of Arts and Yale Center for British Art
- Thomas Gent, 1771
- A sailor centinel on the Pallas’s gangway by Gabriel Bray, 1774
- Night Watchman, 1776
- The Hireling-Constable, 1780
- A woodcutter with a young boy and a dog in wooded landscape by Charles Gill, c. 1781
- The Watchman, c. 1780s-1790s
- The Westminster Watchman, 1784
- Card players in a tavern by Jan Ekels, 1784
- The Social Pinch by John Kay, 1789
- A pencil and wash portrait of a gentleman in a great coat
- A Journey to the Watch House, 1790
- Outlines of figures and landscapes by Thomas Rowlandson, c. 1790-1792
- A Deep One, and a Knowing One, 1791
- Guy Vaux discovered in his attempt to destroy the King & the House of Lords – His companions attempting to escape –, 1791
- Morning: Higglers Preparing for Market by George Morland, 1791
- Skating by George Morland, 1792
- The Departure by George Morland, 1792
- The Shepherd’s Meal by George Morland, 1793
- Scene from ‘The Register Office’ by Joseph Reed by Benjamin Vandergucht
- An Unwelcome Visit by Thomas Rowlandson, 1794
- The Elopement, 1795
- Bodmin Cornwall: The Arrival of the Stage-Coach by Thomas Rowlandson, 1795
- A halt of a soldier and his family by George Morland, c. 1795-1800
- Inside of a Country Alehouse by George Morland, 1797
- The Afflicted Family - A Child Lost, 1797
- The Watchman of the State, 1797
- The Child Lost, 1799
- The Reckoning: A Farmer Paying the Ostler and Pot-Boy of an Inn by George Morland, c. 1800
- Interior of a country inn by George Morland
- Man with a pony outside a cottage
- A brace of public guardians, 1800
- The Benevolent Heir or the Tenant Restored to his Family by William Redmore Bigg, c. 1801