Earrings appear to have been fashionable in the Early Middle Ages, and then not at all through the High Middle Ages and Late Middle Ages -- and then become trendy again in the 16th century.
Oon more hier of stature þan x feete, blac of body, with houndis teeth, bisshop of that Oracle or praieng place, to vs appiered, of whom the earis perced and ouches and bies erin hangyng, and clad was with skynnes. Letter of Alexander to Aristotle (Worcester F. 172, ll. 677-682)
When they do appear in western European artwork in the Late Middle Ages, earrings are a sign that the individual wearing them is not part of the norm -- the "other," to borrow the term from "Marked Difference: Earrings and 'The Other' in Fifteenth-Century Flemish Art" in Encountering Medieval Textiles and Dress -- often indicating that the person being depicted or described is meant to be Eastern or African. Note, for example, the use of earrings on scenes of the Adoration of the Magi. (Think of it as a sort of late medieval artistic shorthand for "exotic," rather than a depiction of something that followed the conventions of western European fashions at that time.)
El Piercing has detailed images of multiple piercings in ears in 16th century portraits.
What follows are links to information about extant earrings, as well as depictions of women (and men) wearing earrings. I've also started the process of moving these to separate pages for Ostrogothic earrings, Merovingian Frankish earrings, Lombardic earrings, Byzantine earrings, Persian earrings, Egyptian & Syrian earrings, English Renaissance earrings, Italian Renaissance earrings, French Renaissance earrings, and the earrings that mark exotic or Oriental characters.
Lombardic earrings
- Gold earring with rubies, emeralds, and garnets (V&A 6570-1855), 6th-7th century
- Gold earring (Met 17.191.6) of the “basket” variety, 6th-7th century
- Earring (Met 17.191.9) of the “basket” variety, 6th-7th century
- Earring (Met 17.191.10) of the “basket” variety in gold with garnet and glass, 6th-7th century
- Gold earring (Met 95.15.84), 6th-7th century
- Gold earring (Met 95.15.85), 6th-7th century
- Gold earring (Met 95.15.86) with glass paste, 6th-7th centuries
- Gold earring (Met 95.15.118) of the “basket” variety, 6th-7th century
- Gold earring (Met 95.15.119) of the “basket” variety, 6th-7th century
- Gold earrings (Met 95.15.124 and Met 95.15.125) of the “basket” variety with glass and pearls, 6th-7th century
- Gold earring (Met 95.15.127) of the “basket” variety with a six-pointed star shape, 6th-7th century
- Basket earring (Walters 57.475), glass paste on gold, late 6th-7th century
- Basket earring (Walters 57.476), glass paste and garnet on gold, late 6th-7th century
- Basket earring (Walters 57.1662), gold, 7th century
- Gold earring with garnet & glass inlays (British Museum M&ME 1872,6-4,595), 7th century
- Gold earrings with enamel, pearls, and glass, 7th century
- German earring (V&A M.121-1939), 6th-7th century
- Gold Avar earrings (Met 17.191.4 and Met 17.191.5), c. 550-650
- Gold earrings from a 7th century grave
Egyptian and Syrian earrings
- Gold earrings (Met 30.95.38 and Met 30.95.39) with filigree and applied decoration, Egypt, 11th century
- Gold earrings (Met 1978.142.1 and Met 1978.142.2), Egypt, 11th century
- Electrum earring (Met 1979.289 a, b), Egypt, 11th century
- Gold earring with filigree and granulation (Met 74.51.3607), Egypt or Syria, 11th century
- Syrian earrings (Met 1979.278.2a, b), 11th century
- A Fatimid gold earring, Syria, 12th century
Persian earrings
- Gold earrings (Met 1984.175.41 a, b) from Sasanian Iran, c. 3rd-7th century
- Gold earrings with filigree and granulation (Met 1979.7.3a, b), Iran, 1st half of the 11th century
- Gold earring (Met 1979.7.4), Iran, 1st half of the 11th century
- Gold earring with filigree and granulation (Met 1979.96), 1st half of the 11th century
- Sheet gold earring with granulation (Met 52.4.15), Iran, 11th-12th century
- Earrings (Met 52.4.11 and Met 52.4.12) in gold wire and sheets with filigree, Iran, 11th-12th century
- Earrings (Met 52.4.13) in sheet gold with granulation, Iran, 11th-12th century
- Gold earrings (Met 1980.541.9), 11th-12th century
- Gold earring (Met 1980.541.10), 11th-12th century
- A pair of crescent-shaped earrings (Met 2006.273a and Met 2006.273b) in gold with filigree and granulation, made in Iran in the 11th-12th century
- Gold earring (Met 1980.541.7), 11th-13th century
- Gold earring (Met 1980.541.8), 11th-13th century
- Gold earring (Met 1984.175.46), Iran, 11th-13th century
- Gold earring (Met 1984.175.44), Iran, 11th-13th century
- Four pairs of Seljuk earrings, northeast Persia, c. 12th century
- Gold wire earring with filigree (Met 52.4.4), Iran, 12th century
- Gold earrings (Met 1972.218.2a, b), 12th century
- Gold wire earrings with filigree and pale stone (Met 52.4.1 and Met 52.4.2), Iran, 12th century
- A pair of Seljuk gold gem-set earrings, Iran, 12th-13th century
- Gold earring (Met 22.201) in the form of an owl in filigree, Iran, 12th-13th century
- More earrings in gold wire with filigree from 12th-13th century Iran: Met 52.4.5, Met 52.4.6, Met 52.4.7, Met 52.4.8, Met 52.4.10
- Gold wire earring with filigree (Met 52.4.9), Iran, 12th-13th century
- Gilt bronze ear clips (Met 1991.391.3 and Met 1991.391.5), Cambodia, 12th century
- A filigree gold and enamel earring element, Nasrid Spain, 14th century
- Silver-gilt earring made in Romania in the 14th or 15th century
- The Erythraean Sibyl on The Ghent Altarpiece by Hubert and Jan van Eyck, 1432
- Portrait of Agnes Sorel
- David plays music (fol. 13v),
Solomon (fol. 121v), and
Constantine I on the throne (fol. 127v), in an Ethiopian psalter (BNF Ethiopien d'Abbadie 105), c. 1468-1478
- Executioner in the Martyrdom of St. Barbara, c. 1470-1500
- Epiphany by Hieronymus Bosch, 1475-1480
- Detail from Nativity by Friedrich Herlin, 1488
- Balthasar in Adoration of the Magi by Marx Reichlich, 1489
- Balthasar in Adoration of the Magi, c. 1495-1505
- Adoration of the Magi, c. 1500
- Balthasar in Adoration of the Magi by Jörg Breu the Elder, 1501
- Adoration of the Magi by Vasco Fernandes, 1501-1506
- Balthasar in Adoration of the Magi, 1503
- Adoration of the Magi by Albrecht Dürer, 1504 (see detail)
- The baptism of St. Paul by Hans Holbein the Elder, 1504
- Balthasar in Adoration of the Magi, c. 1505-1515
- Adoration of the Magi by Juan de Flandes, c. 1508-1519
- Adoration of the Magi by Hieronymus Bosch, c. 1510 (detail from center panel)
- Portrait of a girl by Sebastiano del Piombo, c. 1515
- Christ Carrying the Cross by Hieronymus Bosch, 1515-1516
- Portrait of a young lady by Bartolomeo Veneto, 1520s
- Portrait of a lady by Bernardino Luini, c. 1525
- Portrait of Laura Pisani, 1525
- The Adoration of the Magi by Quentin Metsys, 1526
- Adoration of the Magi by Joos van Cleve, 1526-1528
- Triptich with the Adoration of the Magi by Pieter Coecke van Aelst
- Portrait of Eleanor, Queen of France by Joos van Cleve, c. 1530
- Portrait of a young woman by Titian, 1530s
- Antea by Parmigianino, 1530-1535
- Portrait of a lady by Pieter de Kempeneer
- La Bella by Titian, 1536
- Portrait of Isabella d'Este, Duchess of Mantua by Titian, 1536
- Portrait of Eleonora Gonzaga by Titian, c. 1538
- Venus of Urbino by Titian, 1538
- Portrait of Camilla Gonzaga with her three sons by Parmigianino, c. 1539-1540
- Portrait of a young woman and her little boy by Agnolo Bronzino, c. 1540
- Portrait of Henri II by François Clouet, c. 1540
- Portrait of Bia de Medici by Agnolo Bronzino, c. 1542
- Eleonora of Toledo by Agnolo Bronzino, 1543
- Portrait of Eleanor of Toledo with her son Giovanni de' Medici by Agnolo Bronzino, c. 1544-1545; also, Eleonora of Toledo and her son by Agnolo Bronzino, c. 1545-1550
- Portrait of a girl by Titian, c. 1545
- Portrait of Giulia Varano, Duchess of Urbino by Titian, c. 1545-1547
- Portrait of Eleanor of Toledo, c. 1550
- St. Cecilia, c. 1550-1570
- Portrait of François de Lorraine, c. 1550-1575
- Portrait of Countess Livia da Porto Thiene and her Daughter Deidamia (also here) by Paolo Veronese, c. 1551
- Portrait of Maria de' Medici by Agnolo Bronzino, 1551
- Portrait of Catherine of Austria, Queen of Portugal, by Antonio Mor, c. 1552
- Portrait of Mary, Queen of Scots by François Clouet, 1552
- Portrait of the Dauphin (François II) by Léonard Limosin, c. 1553
- Young woman with a dish of fruit by Titian, c. 1555
- Profile portrait of a young woman by Sofonisban Anguissola
- Portrait of an unknown lady (The Lady in White) by Titian, 1560
- Portrait of Eleanor of Toledo by Allesandro Allori, c. 1560
- Portrait of Eleanor of Toledo by Agnolo Bronzino, 1560
- Portrait of Lucrezia de' Medici by Agnolo Bronzino, 1560
- Portrait of Marguerite de Valois by François Clouet, c. 1560
- Portrait of Sofonisba Anguissola by Lucia Anguissola, 1560-1565
- Portrait of Maximilian II, His Wife and Three Children by Giuseppe Arcimboldo, 1563
- Portraits of the daughters of Ferdinand I by Giuseppe Arcimboldo, c. 1563:
Archduchess Magdalena,
Archduchess Margarete,
Archduchess Helena or Archduchess Barbara, and
Archduchess Anna
- Portrait of Claude de Beaune de Semblançay by François Clouet, 1567
- Portrait of a woman by Bernardino Campi, late 1560s
- The Adoration of the Magi by Fray Nicolás Borrás, 1570s
- Portrait of a lady by Jacopo Zucci, 1570s
- Portrait of a woman by Alessandro Allori, 1570-1590
- Portrait of Eleonora di Don Garzia di Toledo di Don Pietro dei' Medici by Alessandro Allori, c. 1571
- Portrait of Queen Elizabeth by Federico Zuccaro, 1574
- Portrait of a man in white, 1574
- Miniature of an unknown lady, c. 1575-1580
- Queen Katherine of Portugal (fol. 543) and Maria of Portugal (fol. 545) from the Portrait-Book of Hieronymus Beck von Leopoldsdorf (Kunsthistorisches Museum Wien IN 9691), c. 1575-1585
- Portrait of Henri III by François Clouet, c. 1581
- Portrait of Henri III by Jean Decourt, c. 1581
- Queen Elizabeth: The Sieve Portrait by Quentin Metsys the Younger, c. 1583
- Portrait of Queen Elizabeth, c. 1585
- Portrait of an unknown lady, c. 1586-1600
- Portrait of Bianca Cappello by Alessandro Allori
- Portrait of Sir Walter Raleigh, 1588
- Portrait miniature of a young man by Nicholas Hilliard, c. 1588
- Portrait of Diane de Poitiers, c. 1590
- Portrait of a woman by Nicholas Hilliard, c. 1590
- Portrait of Henry Wriothesley, 3rd Earl of Southampton, early 1590s
- Miniature of Queen Elizabeth by Nicholas Hilliard, c. 1590-1600
- Portrait of Robert Carey, 1st Earl of Monmouth, c. 1591
- Portrait of Queen Elizabeth, c. 1592
- Portrait of Marie de' Medici by Pietro Fachetti, c. 1593-1595
- Miniature portrait of Marie de' Medici
- The Penitent Magdalene by Caravaggio, 1594-1596; see detail
- Portrait of Gabrielle d'Estrées and one of her sisters, c. 1595
- Portrait of Gabrielle d'Estrées
- Portrait of Mary Fitton, c. 1595
- Miniature of Queen Elizabeth by Nicholas Hilliard, c. 1595-1600
- Judith Beheading Holofernes by Caravaggio, c. 1598
- Queen Elizabeth: The Hardwick Portrait, c. 1599
- Queen Elizabeth: The Rainbow Portrait, c. 1600
- The Eliza Triumphans, c. 1601
- Portrait of Queen Elizabeth
- Portrait of a girl in a red velvet dress
- Portrait of the Princess Royal (Elizabeth of Bohemia), 1603
- Portrait of Anne of Denmark, 1605
- Portrait of Princess Elizabeth (Elizabeth of Bohemia), 1606
- Pair of earrings with portrait miniatures, associated with Sir Alexander Fraser of Philorth and his wife Margaret Ogilvie, early 17th century
- Portrait of William Shakespeare
- Portrait of an unknown woman, once said to be Joyce Clopton, c. 1610
- Portrait of Lady Diana Cecil by William Larkin, c. 1614-1618
- Earrings and other jewelry from the Cheapside Hoard, 17th century; see also MoL
A14018,
A14109,
A14188,
A14348
- Gold earrings with enamel, pearls, emeralds, and rubies (Met 1981.5.16 and Met 1981.5.17), Morocco, 17th century
- Pocahontas' earrings and portrait of Pocahontas, 1616
- Portrait of Anne of Denmark by Paul van Somer, 1617
- Miniature portrait of a young man by Lawrence Hilliard
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